I find films a form of escapism from the monotonous everyday life, the way that you become submerged into the story of the film intrigued me and led me to start my studies in film. I found my way into the art department during my first year of university. Seeing how much it takes within that department to make the story world believable led me to be a part of the art department. I aspire to make the story world as realistic as possible to give people the same form of escapism that I experience with films.
I have recently
become interested in period set design and looking at how the props are made for these films. Using graphic design to create this style of props has kept me busy during lockdown and has allowed me to develop a new skillset that I hope to use in future jobs.
Collaborators: Zoë Midwinter (Editor ), Cai Dickinson (Writer/Director ), Ollie Ablethorpe (Cinematographer )
Girl in a lift
Collaborators: Zoe Phelps (Co. Production Design ), Ali aj2-heyes (Director ), Chloe Law (1st AD), Mac Harwood (Producer), Anna Meszaros (2nd AC), Frankie Cilia (Colourist)
Dick Barton: Special Agent
Collaborators: Gwydion Ap Hedd (Co. Art Department )