James Robinson
Fashion Communication graduate, specialising in Photography, Styling and Art Direction.
I bring an individual approach to my work which is influenced by my heritage, sportswear and costume, and my upbringing in Northern Ireland. I characterise my visual outputs through everyday observations, clever use of distinct cultural and personal references as well as an abundance of tongue-in-cheek humour.
In my final major projects, I have been working on two print publications, titled 'Look Busy' and '(What's the?) Craic'. Throughout the year, I have also enjoyed working on brand commissioned work for Lazy Oaf's AW20 collection (Body Parts) as well as collaborating with
(What's the?) Craic publication
This publication aims to celebrate and spotlight Northern Ireland in a positive light, against a recent rise of conflict and increasing tensions. Explored through Photography and Collage, reflecting upon place, people, heritage and memory.
Luck of the Irish - Styling & Casting
Part of an ongoing project with image-maker, Dean Davies with individuals from the UWE Fashion Communication programme. Styling influences including all things Irish, Leprechauns and fancy dress costumes you'd see on a St Paddy's day out.
Lazy Oaf 'Body Parts' - Photography
Commisioned work for Lazy Oaf’s Autumn/Winter 20’ collection involving the creation of a custom typeface using models to create the ‘Lazy Oaf Alphabet’, drawing upon an ironic sense of humour through references to Yoga poses.
Look Busy zine
Look Busy is a zine that documents & observes people, objects & things of interest that ‘look busy’. Created with a curation of my own images and a community of contributors.
'Under the Cosh' - Editorial (Art Direction)
A proposed Editorial for The Face magazine inspired by scenario’s & slang commonly found in 5-aside Football, particularly in reference to my adolescence and experience playing ‘red arse’ with my mates.
Martine Rose - 'Probably the best fans in the world'
A campaign proposal for Martine Rose, utilising the brand’s established visual aesthetic and cult status merged with the community-based platform OnlyFans to promote and sell her products from the Spring/Summer 21’ collection.
