Reverence
Deconstructed book depicting a sacred Oak in local woodland explores how material agency in printmaking and bookbinding can communicate the story of a place in a nonlinear way.
My practice as a researcher, printmaker and bookbinder is rooted in an exploration of processes, materials, and moments within places. Working with paper, ink, and thread, I seek to reflect quiet observations of places in the landscapes that I am drawn to. Whether bound or singular, artefacts invite touch and close attention. Encouraging the viewer to engage with the dialogue between material, memory, and the landscapes we move through.
Alongside of my creative practice, I am a community-based Tutor teaching art binding, book repair, traditional bookbinding and a wide range of printmaking processes. My current practice is Devon-based, working in partnership with several art centres and Dartington Hall Bindery. I am now part of Spike Island Associates and seeking to expand my creative and teaching practice into the Bristol area.
briannorman013@gmail.com www.bazpress.com →
Deconstructed book depicting a sacred Oak in local woodland explores how material agency in printmaking and bookbinding can communicate the story of a place in a nonlinear way.
Artbinding featuring mock embossing and double sewn french link stitch.
Entry for ABC Bestiary book 2025.
Work exploring the human need to impose order on nature. Collagraph on Somerset Satin Paper.
A line of mourner stones in procession to the Cist, Bellever Moor, Dartmoor.
Lithograph - Creature of the deep woods.