Eloise Lifton

My practice utilises screenprint to consider stillness in the domestic through the exploration of personal narratives. I attempt to navigate the liminality between comfort and discomfort through reflection and observation; where snapshots become visceral faded memories, clutching tentatively onto moments we cannot grasp. Within quiet screenprints, layers of ink become symbolic of layers of recollection. Each layer speaking to that of the last whilst subtly altering our perception of the present.

The fly snaps us back into a strange reality, what is usually moving becomes still and what is fixed drifts away. Do you ever feel like a fly on the wall? Spaces are playfully interrupted through the ongoing The Fly on the Wall installation and fly mail postal service; I produce stickers, risograph zines and artist books that buzz through Bower, Bristol and beyond.

eloiseliftonstudio@gmail.com www.eloiselifton.com →

black and white screenprint of fly on blurred suburban window scene

Onlookers III, Screenprint on Somerset Satin, 27 x 27 cm, 2025.

small paper fly mail envelopes

fly mail, risograph on paper and digital print on vinyl.

Ongoing fly mail project, tiny risograph envelopes contain several fly stickers, available to purchase.

black and white screenprint of window light and shadow on staircase

Will you wait for me? Screenprint on Fabriano 5, 50 x 88 cm, 2025.

accordion artist book screenprinted with abstract text

in conversation, double accordion hard back artist book, 2025.

translucent screenprint of house plant and shadow

untitled, Screenprint on Somerset Satin, 20 x 25 cm, 2025.

double accordion artist book in burgundy cloth with screenprinted pages

in conversation, double accordion hard back artist book, 2025.

Collaborations