Annie McGill is an interdisciplinary artist and writer whose work explores the stories, myths and cultural narratives that shape women's lives. Working across writing, audio, installation and visual art, she examines how personal testimony can generate collective resonance, connecting intimate experiences with broader social and political questions.
Her work often reimagines inherited narratives and challenges assumptions about gender, power and identity. Through the use of text, sound and material forms, she creates immersive works that invite audiences to look again at what has become familiar, overlooked or hidden.
‘And Another’ is a live installation addressing femicide through accumulation and repetition. A receipt printer continuously records women killed by intimate partners or family members, transforming statistics into a growing physical presence that makes ongoing violence visible in real time.
’They Call It Love’ is an immersive installation exploring the language, assumptions and narratives that govern women's lives. Combining text, sound and participation, it invites audiences to sit beneath inherited words and listen to the stories that emerge from them.
‘Meeting Eve’ invites audiences into a conversation across generations. Standing before a mirror and listening through headphones, viewers encounter Eve's challenge to inherited stories about women, power and obedience, and the possibility of authoring their own lives.
’Meeting Eve’ combines prose, poetry and images from the In Memory of Clay series. Reimagining inherited myths and cultural narratives, the book explores memory, identity, power and survival, allowing individual stories to strike a collective chord.
’Private Parts’ is an audio installation situated within a gallery toilet. Triggered by the visitor's presence, a voice interrupts the everyday, blurring the boundaries between public and private space while exploring authority, influence and the act of listening itself.
